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CV: NINA SOBELL
Professional Recognition and
Appointments
2025 Cristina Albu Interviews Nina Sobell about BrainWave Drawings, with Adam Hart of Media Burn, Chicago, Illinois (Zoom).
Techspressionism panel “Origins” Salon, organized by Michael Pierre Price, (Zoom).
2024 Nervous Extensions for Planetary Balance in Nina Sobell’s Collaborative Séances,by Cristina Albu, Contemporary Scholarship, Leonardo, Vol. 58, No.1, Pages 59-65, The MIT Press.
BrainWave Drawings 1974, The History of EEG Research in Cybernetics and artistic Expression: Biological Feedback and Structural Coupling, presented by Merve Sahin, Conference for the American Society for Cybernetics, Washington, DC.
PAJ: A Journal of Performance and Art (2024) 46 (2 (137)): 25–34. MIT Press, by Ellen Pearlman. LINK
2023 Internet Firsts You’ve Never Heard of: Nina Sobell, Emily Hartzell & ParkBench’s Safe Place to Sit in Cyberspace, produced by Franklin Furnace, Internet Symposium. Video Link.
International Paneling: Interviewed by Leo Kuelbs, (On-line) Video Link.
“Nervous Extensions for Planetary Balance in Nina Sobell’s Web Seances by Cristina Albu accepted for RE:SOURCE and presented at the10th International Conference on the Histories of Media Art, Science and Technology, Francesca Franco, Chair, Venice, Italy.
Nina Sobell interviewed by Renata Janiszewska, Techspressionist Artist Interview Series #23 Video Link.
2022 The EEG + Intimate Connections + Art of Nina Sobell, moderated by Ann McCoy, UCLA Department of Science and Media Arts https://vimeo.com/71326315.
Dimensions of Science and Spirit: Ann McCoy Interview and Presentation with Nina Sobell, Victoria Vesna, Christine Davis, and Amy Myers, for the Brooklyn Rail March 18th at 1:00 [View recording on Youtube: https://youtu.be/-l9lsU5I_EI].
Techspressionism Digital & Beyond "FEMME TECH" Part One, Anne Spalter and Nina Sobell #femmetech
Youtube Link
2021 Cristina
Albu, “Planetary
Re-Enchantment: Human-Animal Entanglements in Victoria Vesna’s Octopus
Brainstorming,” MA Journal.
Ellen Pearlman review of “Brain Art: Brain Computer Interfaces
for Artistic Expression” (Springer, A. Nijholt: Editor) International Journal
of Arts and Technology, Vol. 13, No. 1, 2021
2020 Recipient of the Acker
Award for Video
Before the First: a brief glimpse of the
diversity of online performance created before 2020. Compiled by Annie
Abrahams, Helen Varley Jamieson and Suzon Fuks. Edited by Suzon Fuks. View Video
Cristina Albu, "Intimate
Connections: Alternative Communication Threads in Nina Sobell's Video
Performances and Installations (1974-1982),
Camera Obscura: Journal of Feminism,
Culture and Media Studies, Vol. 35, Issue 1 (Spring 2020): 38-75 (View Abstract) (View Full Article)
Paula Sweet, “What is Between Us: A Visual
Survey of Nina Sobell's work 2007- 2019. Vicenza, Italy: Second Guess Press,
Amazon, 2020. Purchase Link
Telluric Vibrations at Ars Electronica on
panel organized by Cristina Albu Invisible Entanglements: Art,
Distant Connections, and Biofeedback
Review of Brain Art: Brain Computer
Interfaces for Artistic Expression by Cristina Albu for Leonardo https://leonardo.info/review/2019/10/brain-art-brain-computer-interfaces-for-artistic-expression
Nina Sobell UNSEEN: twenty-four-page folio,
24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor. Vol.1. 6 th
ed.New York: Louffa Press, (View Book Launch) (View Complete Folio) My Unseen Unheard video is the basis for this folio (Video Link)
2019 Nina Sobell,
“Foreword," Anton Nijholt ed., Brain Art: Brain Computer
Interfaces for Artistic Expression (Springer: Cham, Switzerland, 2019),
pages v-vi. MirjanaPrpa and Philippe Pasquier 84-85;
Suzanne Dikker, Sean Montgomery and Suzan Tunca 170; Laura Jade and Sam Gentle pages 255-256. (Brain Art Excerpts) (More Info) 2 Book Reviews: Ellen Pearlman/a> || Christina Albu
https://www.ninasobell.com/ninasobell/review_pearlman.pdf
2018 “Interactive
BrainWave Drawings presentation”, LASER Leonardo Art and Science Forum, New York.
"Networked Projects in the Formative
Years of the Internet: Nina Sobell - Work: 1977-1997" Judy Malloy,
Editor, MIT Press, in Networked Art Works in the
Formative Years of the Internet, an ongoing supplement to the book.
https://www.narrabase.net/Nina_Sobell.html
2017 “History of
Interactive Brain Wave Drawings,” an invited panel presentation for the Brain
On Art Conference, Valencia, Spain.
“Grey Matters,” video in collaboration
with Laura Ortman - music, commissioned by Leo Kuelbs collection.
2016 “Subliminal,” video in
collaboration with Laura Ortman - music, commissioned by Leo Kuelbs
collection.
2015 “WMAT, White Mountain
Apache Territory,” video in collaboration with Laura Ortman - music,
commissioned by Leo Kuelbs collection.
2011 Artist-in Residence, Emily
Harvey Foundation, Venice, Italy
2010 “Brain Chat,” patent
pending and “Brain Chat,” US Trademark.
Presenter for “the Future of Art and Technology Conference”, Zaragoza Art and Technology Center, Zaragoza, Spain
2008/07 New York Artist-in-Residence
Invitational, Location One, New York supported by the Andy Warhol Foundation
for the Visual Arts
2006/05 Visiting Lecturer,
Goldsmiths College, University of London
2002 Rockefeller Foundation
Fellowship nominee in Media Arts
2001 New York State Council on
the Arts, Artist Fellowship, “Brain Wave Drawings.”
2000 Panasonic Information
Network Telecommunications Lab invitation to develop the first multi-online
meeting application
1999 The Webby Awards nominee
for “ParkBench,” internet interface with Emily Hartzell
Computer Arts Panelist, Artists Fellowship,
New York Foundation for the Arts
1998 Turbulence
Commission and the Jerome Foundation Fellowship for “Ebb and Flow,” Brain
Wave Drawing internet performance with Jesse Gilbert and Sonya Allin
Artist-in-Residence Banff Center For the
Arts, “The Long March,” Banff, Canada
1997 “Uncommon Sense
Show” at the Geffen Contemporary (the huge industrial shed that is the annex of the Museum of Contemporary Art in Los Angeles) – Presenter of the paper “Art, Anarchy and the Web” with Emily Hartzell
and collaborator on Karen Finley's piece, “Go Figure”, a collaboration with ParkBench,
which uses interactivity to offer the audience opportunities for
self-expression--through drawing from a live model in Go Figure, and in “Fear Of Offending,” through entering
into a computer terminal and posting on the Web the answer to the question
"What Offends You?"
1994 - 1998 Artist-in-Residence,
Center for Advanced Technology, Courant School of Computer Science, NYU
1991 - 1993 Artist-in-Residence,
Artist-in-Residence, ITP, Tisch School of the
Arts, NYU
1990 Franklin Furnace
Fellowship Grant
Solo Shows
2025 GammaTime Indexical Gallery, Allen Riley, curator, Santa Cruz, California.
2024 Nina Sobell, a Retrospective Presentation, Curated by Katherine Liberovskaya of Experimental Intermedia at the Emily Harvey Foundation, New York.
Video
2023 Nina Sobell, Intermedia Interactivity, curated by Elle Burchill and Andrea Monti of Microscope Gallery, New York. Video
2020
UNSEEN UNHEARD, video
6min 6sec at the Window Museum, curated by Beatriz Albuquerque, Matosinhos, Portugal https://youtu.be/vTCNVOE5P5k
Nina Sobell, Hindsight
is 2020, solo show, works 2015 - 2019 The Wrong Biennale, curated by Bjørn Magnilhoen,
White Page Gallery, Valencia, Spain, Archived at http://noemata.net/wpg/nina/
2008 Internal Message
Search,
Gallery Area 53, Vienna, Austria catalog from show by Evelin Stermitz
https://www.yumpu.com/en/document/read/29938585/nina-sobell-evelin-stermitz
Not About: Is, Location One
Gallery, NY
2006 Reap Video Collaboration
Making Love With a Chair, Anne Bean’s Show at Matt's Gallery,
London
2001 Liwase, Video Documentary
of Zambian Street Theater Group with Anne
Bean
1998 Interactive
Installations, 1974 - 1998, DAAD Studios, Berlin with Emily
Hartzell
Ebb
and Flow, Web performance, Morton Studio, supported by
turbulence.org and the Jerome Foundation (J.Gilbert/S.Allin) New
York
1990 Exhumed, Live performance, DCTV
Downtown Community Television Center, supported by
Franklin Furnace Fellowship Grant, New York https://vimeo.com/373461912
Group Shows
2025 Lines of Resolution, Menil Drawing Institute,
Kelly Montana and Anna Lovatt curators, Houston, Texas.
The First Circle-Intermedia Pioneers, curated by Claudia Hart & Natasha Chuk,
Microscope Gallery, New York.
Sound for Film, solo and group sound works, in collaboration with St. Celfer and Sachiko Hayashi, VEKKS Gallery, Vienna.
Radical Software: Women Art and Computing 1960-1991,
curator Michelle Cotten, assistant curator Sarah Beaumont, Kunsthalle, Vienna
Women Artists of Rivington School: Then and Now,
Mémoire de l'Avenir Galerie, Paris, France.
2024 Radical Software: Women, Art and Computing 1960-1991
Curated by Michelle Cotten, assistant curator, Sarah Beaument, MUDAM, Luxembourg
Hello Brooklyn- Digital and Beyond, Tommy Mintz, curator, Kingsborough Art Museum,
Brooklyn, New York.
Digital and Beyond, The Wrong, curated by Colin Goldberg, (Online Exhibition) Web Link
Techspressionism Show, Joey Zaza and Carrie Ann Shim Sham, curators, MOWNA Museum of Wild and New Fangled Art, (On-line), Web Link
2023 Women’s Works: Artists Working in 1970s & 80s, Jane England, curator,
England and Co Gallery, London, England. Web Link || Press Release
“BrainWave Drawings” & “Hey! Baby Chicky!”, Renaissance 3.0, curated by Peter Weibel and Anett Holzheid, ZKM - Center for Art and Media, Karlsrhue, Germany, Web Link
“Four From the 60’s and 70’s: “Chicken On Foot” video, with Joan Semmel, Philip Guston and Harold Stevenson, curated by Claire Howard, Blanton Museum, Austin, Texas. View Video View Installation
The Wrong Biennale Web Link
2022 Techspressionism: Digital and Beyond, curated by Colin Goldberg, Southampton Arts Center, Long Island, New York.
“ Zap” video: in 13th Seoul Metro International Film Festival; Copenhagen Film Festival; Madrid (Spain) International Film Festival.
2020
UNSEEN UNHEARD: April - June 2020 Video 6’08, CHOHW - Dark Moon, curated by Anne Bean, Three Colt Street Gallery, London View Documentation
Undocumented Events and Object Permanence, Unseen Unheard curated and registered as non-commercial NFTs by Bjørn Magnildøen
View Online
The Right Fish Kiss View MP4 and The Moon and Steam Dancing, View MP4 at One-Off Moving Image Festival; The Lower East Side View Video at Long Single Take Movies, - both curated by Bjørn Magnildøen at One-Off Moving Image Festival;
One-off Moving Image
Festival, curated Bjørn Magnilhoen, organized by Noemata, Norway, and
worldwide.
2019 Subliminal, video, curator Tom
Rotenberg, Mitte Media Festival, DNA Galerie, Berlin
From Last to First-30 Digital Shorts, Mitte Media Festival
DNA, Galerie, Berlin
Subliminal, Estirando El Tiempo,
curator Elizabeth Ross, Museo del Metro, Mexico City
2018 Grey Matters, premiere
collaboration with Laura Ortman, curated by Able Sun, IFP Dumbo and Projected
on the Brooklyn Bridge, NY
Duo-Synth and Apache Violin live
performance with Laura Ortman, for Sarah Bernstein’s record release event,
Wonders of Nature, Brooklyn,
NY Rivington School Show, ink drawing,
curator Adriaan van der Plas, Adriaan van der Plas Gallery, NY
The LES Festival for the Arts Show, Two Drawings,
curator, C. Radcliffe, Theater for the New City Gallery, NY
Digitally Derived, BrainWave Drawings,
curated by Nancy Buchanan organized by Minha Horvat, Maribor, Slovenia
Subliminal video, Estirando
El Tiempo, curator, Elizabeth Ross, Museo de la Ciudad, Querétaro, Mexico
Subliminal video, Hysteria
Online, curator Elizabeth Ross, Mexico City
2017 ParkBench,
FACES: Gender, Art and Technology, co-curators Eva Ursprung and Kathy Rae
Huffman, Schaumbad Freies Gallery, Graz, Austria
Glass Breaking Live performance,
Optics: 0:1 curated and directed by Victoria Keddie, Roulette, Brooklyn
2016 Subliminal premiere
video collaboration with Laura Ortman composer, curator John Ensor Parker,
IFP Dumbo and Projected on the Brooklyn Bridge
2015 Views, WMAT video
commissioned and curated by Leo Kuelbs, IFP, Brooklyn, NY
Views, WMAT LKC Leo
Kuelbs collection, Manhattan Bridge Projection, NY
Views, WMAT curated by Leo Kuelbs, Fata
Morgana Gallery, Berlin
Form and Substance: Projection, Lighting and Mapping,
WMAT, Art Basel Miami
Poet Transmit, WMAT video, curated by Victoria
Keddie and Cat Tyc, St. Mark’s Church, NY and
Wave Farm Radio www.wavefarm.org
2014 L.E.S. Scene Then and Now,
curated by Shalom Neuman, Fusion Art Museum, NY
Drawings, curated by Anne Bean
and Ezra Rubenstein, 80 Three Colt Street, London
72 -82 Acme Gallery Film by William Raban,
Hackney Picture House, London
Performance Documentation of Acme
Gallery, Whitechapel Gallery, London
Personae, Emily Harvey
Foundation Gallery, Venice, Italy
S(he) is still Her(e), curated by Johnny
Velardi, Rivington Music Studio, NY
2013
Not Only This: New Language Beckons Us, curated by Andrew
Blackley,
Fales Collection, NYU
Corps et Ames, prints, Atelier Galerie MLC, Vains,
France
2012 Papyri, curated by Berty
Skuber, Emily Harvey Foundation Gallery, Venice, Italy
Housework, Gender, Subjectivity: Cultures of Domesticity, curated by Molly Hankwitz,
The Reynolds Gallery, University of the Pacific, Stockton,
California
Another Vacant Space, curated by Adam Nankervis, Man Museum, Berlin
WBAI Art Auction, curated by James Wintner, Steven Kasher Gallery, NY
2011 Into the Pot You Go! curated by
Carol Stakenas, Pacific Standard Time, LACE, LA supported by the
Getty Research Institute
2010 Los Angeles Goes Live, interview
series, LACE, Los Angeles, supported by the Getty Research Institute
Glow,
curated by Adam Nankervis, Z-Bar, Berlin, Germany
A Feast for the Eyes, curated by Heike Epildauer, Kunst Forum, Vienna
2009 ArtFemTV,
curated by Evelin Stermitz, Gallery Photon, Ljubljana, Slovenia
tina b. curated by Monika Burian, The Prague Contemporary Art
Festival, Vernon Gallery, Prague, Czech Republic
Way Out, Pavilhao, curated by Graça Countihilo, Lisbon, Portugal
2008 Apocalypse Show, sculptures, curated by
Johnny Velardi, Garage Gallery, Brooklyn
Waves-The Art of the Electromagnetic Society, Hartware
Kunstverein, Dortmund, Germany
Ca Video Show, videos Hey! Baby Chicky!!!, Chicken and
participatory Brain Wave Drawing Installation and documentation,
curated by Glenn Phillps, Getty Museum, Los Angeles, California
2007 Evidence of Movement, curated by Glenn Phillips, Getty
Research Institute, LA, Ca.
Cyber Feminism Past Forward, Austrian Association of Women
Artists, Vienna
The Future of the History, Space Gallery, New York
Slapstick, curated by C. Eammons, Lora Reynolds Gallery, Austin,
Texas
2006
Making Love With a Chair, collaborative video for Reap, Anne Bean’s
Show at Matt's Gallery, London
KISSS, curated by Deej Fabyc, Whitechapel Gallery, London,
UK/Sidney, Australia
2005 Art/ Sound, curated by J. Slater, Front Room
Gallery Williamsburg, Brooklyn
2004 Synaesthesia, Thinking of You,
interactive participatory installation of Brain Wave Drawings on the
internet,
Institute of Contemporary Art, London UK
2002 Art/Women/California 1950-2000, curated
by Judy Malloy, San Jose Museum of Art, San Jose, Ca.
2001 Liwase, Video Documentary
of Zambian Street Theater Group with Anne Bean
2000 Sharing a Shadow, Three Colt Gallery, London
1999 Solar Wind Weaving Sun and Moon Link | Reviewed in Le Courier Link
Streaming: A Laboratory, with E.
Hartzell/ Sonya Allin, curated by John Tucker,W. Phillips Gallery, Banff
Sunshine & Noir: Art in Los Angeles 1960-1997, UCLA at The Armand
Hammer
Castello di Rivoli, Italy, Kunstmuseum Wolfsburg, Louisiana
MOMA, Denmark
1998 Interactive
Installations, 1974 - 1998, curated by David Medalla, DAAD
Studios, Berlin with Emily Hartzell
Ebb and Flow, Web performance,
Morton Studio, turbulence.org with Jesse Gilbert and Sonya Allin
1997 Dance in a Moving Mirror
streaming with Hartzell/Gilbert, RAT, Aix-en-Provence,
France
A transatlantic live streaming event, one of
the very first.
Adrift (web performance),
Ars Electronica with Gilbert, Hartzell, Thorington, Wolsak
Pink Wink, New Image Art
Gallery, Los
Angeles
Pasarse de la Raya, Expoarte,
Guadalajara, VI Feria Internacional de arte Contemporaneo
PORT, four-screen web projection
performance, MIT List Visual Arts Center
Blast5, Time Curators and web/video installation (ParkBench),
Sandra Gering Gallery
1996 Art on the Web (ParkBench), Whitney
Museum of American Art
Language and Disorder: videotapes, New Langton Arts, San Francisco
1995 Alice Sat Here, telerobotic installation
w/Hartzell in CODE, curated by Roz Dimon, Ricco/Maresca Gallery, NYC
1993 LA ·Sampler 1970-1993, Hey, Baby Chicky! Paul
McCarthy curator, David Zwirner Gallery, NYC
Scratching the Belly of the Beast, Brainwave Drawings,
Los Angeles Film Forum
1992 Installation: painting, sculpture, and 2 channels
of video, Granary Books Gallery, NYC
Brainwave Drawing Installation, Bronx River Arts Center, Bronx
1991 Drawings, Elston Fine Arts Gallery, New York, NY
Cori: Struggle for Life, video work, Speaking Out: Art Against AIDS,
Museum of Modern Art, NY
1990 Cori: Struggle for Life, Video Against AIDS, Institute of
Contemporary Art, London,
The Indomitable Spirit, video work, International Center for
Photography, NY
Beyond Boundaries: Paintings, Black and White in Color Gallery,
Bronx
Bibliography
Nina Sobell UNSEEN: twenty-four-page folio, 24 pages 5.5” x
17”, in a handmade box, David Moscovitch, editor. Vol.1. 6 th ed.New York:
Louffa Press,
2020 Cristina Albu, "Intimate Connections: Alternative
Communication Threads in Nina Sobell's Video Performances and
Installations (1974-1982),"
Camera Obscura: Journal of Feminism, Culture and Media Studies, Vol. 35, Issue 1
(Spring 2020): 38-75.
2020 Paula Sweet, “What is Between Us - Nina
Sobell,” Second Guess Press, 2020.
2019 Nina Sobell,
“Foreword," Anton Nijholt ed., Brain Art: Brain Computer
Interfaces for Artistic Expression (Springer: Cham, Switzerland, 2019),
pages v-vi.
References to Sobell's work can be found in
the Preface ix, Introduction pages 12-13, Appendix pages 25-27 and
chapters by Flora Lysen pages 44-45; Book Review (Int. J. Arts and Technology, Vol. 13, No. 1, 2021) by Ellen Pearlman
MirjanaPrpa and Philippe Pasquier 84-85;
Suzanne Dikker, Sean Montgomery and Suzan Tunca 170; Laura Jade and Sam
Gentle pages 255-256.
2018 "Collision: Contemporary Artists Working in Houston,
1972-1985 by Pete Gershon" Texas A&M University Press 2018, 158-160
"Networked Projects in the Formative Years of the Internet:
Nina Sobell - Work: 1977-1997" December, 2018 Judy Malloy Editor
(www.narrabase.net/Nina_Sobell.html) (Networked Art Works
in the Formative Years of the Internet is an ongoing supplement to the
MIT Press Book: Social Media
Archeology and Poetics)
2013 "Gendered: Art and Feminist Theory” by Tal Dekel,
Cambridge Scholars Publishing 2013 Pages 49, 90
2010 "A Feast for the Eyes/ Augenschmaus Vom Essen im
Stilleben" by Heike Epildauer and Ingried Brugger,Prestel
Verlag 2010 Berlin, Bank Austria Kunstforum
2009 "tina b. Prague Contemporary Arts Festival"
edited by Monika Burian,curated by Blanca de la Torre Garcia, Vernon Fine
Art, Czech Republic 2009
"Nina Sobell at Gallery Area53" by Gesche Heumann, Art
Magazine, Austellungkritik, 25.07.08
2008 "California Video: Artists and
Histories", edited by Glenn Phillips, Getty Research Institute;
https://www.researchgate.net/publication/240677858_
California_Video_Artists_and_Histories_edited_by_Glenn_Phillips_Getty_Publications_Los_Angeles_CA_USA_2008_312_pp_illus_Hardcover_ISBN13_978-0-892-36922-5
"Allure of the Raw: Ca Video" by Hollis Willis, Modern
Painter, March
https://www.eai.org/user_files/supporting_documents/Holly_Allure%20of%20the%20Raw_2008.pdf
2008 "Digital Art” by Christiane Paul, Thames and Hudson,
London https://thamesandhudson.com/digital-art-9780500204238
2007 "Interview with Nina Sobell" by Evelin
Stermitz, published by Marisa Olson, Rhizome.org, August 21, 2007
(August 21, 2007)
https://rhizome.org/community/9286/
2006 "Video Art": Michael Rush, Thames and Hudson, 2006
"Feedback": editors Horsfield /Hildebrand, Temple
University Press, 2006
"Closed Circuit": by Slavko Kacunko, Logos Verlag,
Berlin "Digital Art” by Christiane Paul, Thames and Hudson, London
https://jura.ku.dk/english/staff/research/?pure=en%2Fpublications%2Fclosed-circuit-videoinstallationen(fe013cb6-036d-47a0-8f76-bf73487ff435).html
"Art/Women/California 1950-2000" editors
Burgess/Salvioni
https://www.ucpress.edu/book/9780520230668/art-women-california-1950-2000
2002 University of California Press and the San Jose Museum of
Art (2002), p. 326.
"Streaming the Brain" by N. Sobell, Multi-Media,
Artful Media ed. Doree Duncan Seligmann
IEEE Computer Society, Vol. 9, No. 3 (July-September, 2002), p.
3—8.
"Info Arts-Intersections of Art, Science, and
Technology" by S.Wilson, MIT Press (2002).
2001 "Sculpting in Time and Space:
Interactive Work" by Nina Sobell and Emily Hartzell, Leornardo, MIT
Press, Vol.34, No.3 (2001).
https://direct.mit.edu/leon/article/34/2/101/43999/Sculpting-in-Time-and-Space-Interactive-Work
2000 "The Robot in the Garden" by Ken Goldberg, MIT
Press (2000)15
.https://direct.mit.edu/books/book/2544/The-Robot-in-the-GardenTelerobotics-and
"Going Virtual" by Martha Wilson, CAA Art
Journal, Summer,
https://doi.org/10.2307/778105
"Artful Media," by Kathy Brew, IEEE Multimedia, 1999
http://ivizlab.sfu.ca/arya/Papers/IEEE/Multimedia/1999/April/Artful%20Media.pdf
"Women in Art and Technology" edited by Judy Malloy,
MIT Press 1999
https://mitpress.mit.edu/books/women-art-and-technology
1998 "A Brief History of Outrage: The 51 (or So) Greatest
Avant-Garde Moments," by C. Carr, Village Voice, September 22,
1998.
https://www.villagevoice.com/1998/09/22/a-brief-history-of-outrage/
1997 "On Edge: The Heart of the Web," by C. Carr, Village
Voice,Vol. 42, No. 25 (June 24, 1997), p.50
"VirtuAlice," by Sobell and Hartzell, Ylem ,
Vol. 17, No. 9, (September/October, 1997), p. 5.
"Telepresence Art," by Eduardo Kac, Art Journal,
College Art Association, 1997
http://beausievers.com/bhqfu/computer_art/readings/kac-robotic_art.pdf.
"Naked to the Bone",by Betty Ann Kevlis, Rutgers
University Press, 1997.
https://www.publishersweekly.com/9780813523583
1996 "Postmodern Currents: Art and
Artists in the Age of Electronic Media", by Margot Lovejoy,
Prentice Hall, 1996 (second edition).https://www.abebooks.com/servlet/SearchResults?isbn=9780131587595
"ParkBench," interview with Doug Grunther, WDST
Woodstock Radio, October, 1996.
"ParkBench Public Access Kiosks," Visual
Proceedings, Siggraph '96.
"ParkBench Sculpting Performances," The Acid-free
Paper (web journal), edited by Kevin Smith, Vol. 1, No. 4 (January,
1996), Net Culture section.
"Deviant Eyes, Deviant Bodies" by Chris Straayer, Columbia
University Press, 1996
http://cup.columbia.edu/book/deviant-eyes-deviant-bodies/9780231079792
"The Buzz" by Sobell and Hartzell, TalkBack!
journal on the Web, edited by Robert Atkins. Issue #1 (December, 1995).
<http://math240.lehman.cuny.edu/talkback>
"Art Online" by Robert Atkins, Art in America,
Vol. 83, No. 12 (December,1995), p. 64.
"Technology: Do You Mind if I Sit Here?" by Kimberly
Neuhaus, I.D.,Vol. 42, No. 2 (March-April, 1995), p. 24.
"ParkBench," Artists' Pages by Emily Hartzell and Nina
Sobell, Felix: Landscape(s) Vol. 2, No.1 (1995), pp. 302-5. Interactions, Vol. IV, No.
2, June, 1992.
https://www.cat.nyu.edu/parkbench/about.html
Interactions, Vol. III, No. 1, April, 1991
Felix (review of EXHUMED & Video 1972-90), Vol. 1, No. 1 (Spring,
1991), p. 71-73.
Lectures
2007 IMHO with Heather Wagner, Location One, NY
2002 Artist Talk, SUNY Purchase, Department of Art, Purchase, New
York
2001 Artist Talk, Computer Art Department, School of Visual Arts, New
York
2000 Nina Sobell: Video Performances, NYU School of Food
Sciences
1999 Artist Talk, Sony Wonder HD Theater and Technology Museum
1997 Human Factors and Ergonomics Society, Stevens Institute of
Technology
Digital Landscapes of the Mind, London Institute
ISEA (International Society of Electronic Arts), Chicago Art
Institute
Art Talk Art: Art, Anarchy, and the Web, Foundation for
Art Resources, LA
LA Museum of Contemporary Art, Geffen Contemporary LA, Art
Talks '97
1999 Artist Talk, Sony Wonder HD Theater and Technology Museum
1997 Human Factors and Ergonomics Society, Stevens Institute of
Technology
Digital Landscapes of the Mind, London Institute
ISEA (International Society of Electronic Arts), Chicago Art
Institute
Art Talk Art: Art, Anarchy, and the Web, Foundation for
Art Resources, LA
LA Museum of Contemporary Art, Geffen Contemporary LA, Art
Talks '97
Cornell University, Creativity Symposium
Art, Culture, and Technology, Teacher's College, Columbia
University,
CHI '97 (Computer-Human Interaction), Atlanta
Central St. Martin's School of Art, London
1996 ParkBench, Artist's Presentation, Siggraph '96
1995 Art and Science Collaborations, Inc., Cooper Union Great Hall,
New York
1993 Department of Fine Arts, Rutgers University, New Brunswick, NJ
1991 The Slade, St. Martins, Newcastle, Brighton Poly, E. London
Poly, Brunel University, Reading.
Collections
Archivo Storico delle Arti Contemporane; La Bienalle di Venezia,
Italia; Long Beach Museum of Art, Long Beach, CA; Banff Centre for the Arts,
Canada; deSaisset,
Museum of Art; Manchester Art Gallery, England; Reading
University, England; Contemporary Arts Museum, Houston, Texas;
Zentrum fur Kunst Und Medien Technologie, Karlsruhe, Montevideo,
Amsterdam; Institute of Contemporary Art, London; Western Front Video,
Vancouver; DIA Foundation; Cologne; Kramlich Video Collection;
Blanton Library, Austin,Texas; Leo Kuelbs Collection, RJFleck,
Gunther Broder and other private collections and academic
institutions.
Education
BFA Tyler School of Art 1969, Temple University, Philadelphia,
Pennsylvania, and Rome, Italy
MFA Cornell University 1971, Ithaca, New York
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